Waves Plug-in for Vocals and Monophonic Especificaciones Pagina 493
- Pagina / 652
- Tabla de contenidos
- MARCADORES
Valorado. / 5. Basado en revisión del cliente
Chapter 86: ReWire 477
Chapter 86: ReWire
Pro Tools supports ReWire version 2.0 technol-
ogy developed by Propellerheads Software. Re-
Wire is available in Pro Tools using the ReWire
RTAS plug-in.
ReWire provides real-time audio and MIDI
streaming between applications, with sample-
accurate synchronization and common trans-
port functionality.
Using ReWire, Pro Tools can send and receive
MIDI to and from a ReWire client application,
such as a software synthesizer, and receive audio
back from the ReWire client. Pro Tools applies
MIDI time stamping to all incoming MIDI.
Compatible ReWire client applications are auto-
matically detected by Pro Tools and are avail-
able in the RTAS Plug-Ins Insert menus in
Pro Tools. Selecting a ReWire client application
within Pro Tools automatically launches that
application (if the client application supports
this feature). Any corresponding MIDI nodes
for that application are available in any Instru-
ment track’s MIDI Output selector (Instrument
view) and any MIDI track’s Output selector.
Once the outputs of your software synthesizers
and samplers are routed to Pro Tools, you can:
• Process incoming audio signals with plug-
ins
• Automate volume, pan, and plug-in con-
trols
•Bounce To Disk
• Take advantage of the audio outputs of your
Pro Tools audio interfaces
ReWire RTAS plug-in
Pro Tools does not support sending audio to
ReWire client applications.
Not all ReWire client applications support
automatic launch from a ReWire-mixer ap-
plication. For these applications, launch the
ReWire client app separately, and then se-
lect it as a plug-in insert in Pro Tools.
Exchange of additional metadata such as
controller and note names between
Pro Tools and ReWire clients is not sup-
ported.
- Audio Plug-Ins Guide 1
- Legal Notices 2
- Contents 3
- Audio Plug-Ins Guideiv 4
- Contents v 5
- Audio Plug-Ins Guidevi 6
- Contents vii 7
- Audio Plug-Ins Guideviii 8
- Contents ix 9
- Audio Plug-Ins Guidex 10
- Contents xi 11
- Audio Plug-Ins Guidexii 12
- Contents xiii 13
- Audio Plug-Ins Guidexiv 14
- Part XIV Eleven 15
- Audio Plug-Ins Guidexvi 16
- Part I: Introduction to 17
- Pro Tools Plug-Ins 17
- Avid Audio Plug-Ins 19
- Audio Plug-Ins Guide4 20
- Plug-In Formats 21
- Using Plug-Ins in Pro Tools 22
- Conventions Used in 23
- Pro Tools Documentation 23
- System Requirements and 23
- Compatibility for Plug-Ins 23
- Contents of the Boxed 24
- Version of Your Plug-In 24
- About www.avid.com 24
- Free Pro Tools Plug-Ins 25
- Free VENUE Plug-Ins 25
- Updating Older Plug-Ins 25
- Avid Media Composer 25
- Installing Plug-Ins for 26
- Pro Tools 26
- Authorizing Paid Plug-Ins 26
- Plug-Ins for Pro Tools 27
- Removing Plug-Ins for 28
- Removing Plug-Ins for VENUE 28
- Part II: EQ Plug-Ins 29
- Chapter 3: AIR Kill EQ 31
- Audio Plug-Ins Guide16 32
- Chapter 4: EQ III 33
- Adjusting EQ III Controls 34
- Frequency 35
- EQ III I/O Controls 36
- EQ III EQ Band Controls 37
- Band Enable button 38
- Band Gain control 38
- Frequency control 38
- Q control 38
- Chapter 4: EQ III 23 39
- 7 Band EQ III 40
- 7 Band EQ III High Pass/Low 41
- 7 Band EQ III Low Pass/High 41
- 7 Band EQ III Low Shelf/Low 42
- 7 Band EQ III Low Mid Peak 43
- 7 Band EQ III Mid Peak 43
- 7 Band EQ III High Mid Peak 44
- 2–4 Band EQ III 45
- 1 Band EQ III 46
- 1 Band EQ III Types 47
- Low Shelf EQ 48
- Low Pass Filter 48
- JOEMEEK Meequalizer 49
- Audio Plug-Ins Guide34 50
- Chapter 6: Pultec Plug-Ins 51
- Pultec EQH-2 52
- Pultec MEQ-5 53
- Audio Plug-Ins Guide38 54
- Part III: Dynamics Plug-Ins 55
- Chapter 7: BF-2A 57
- BF-2A Controls 58
- BF-2A Tips and Tricks 59
- Audio Plug-Ins Guide44 60
- Chapter 8: BF-3A 61
- BF-3A Tips and Tricks 62
- Chapter 9: BF76 63
- BF76 Tips and Tricks 64
- Chapter 10: Channel Strip 65
- Strip Effects 66
- Listen Mode 67
- Adjusting Controls with Fine 67
- Resolution 67
- Input Trim Control 67
- Phase Invert 68
- Input Meters 68
- Gain Reduction Meters 68
- FX Chain 69
- Expander/Gate Controls 71
- Compressor/Limiter Controls 72
- Chapter 10: Channel Strip 57 73
- Pro Tools Reference Guide58 74
- EQ/Filters 75
- Low Frequency EQ Controls 76
- Low Mid Frequency EQ Controls 77
- High Frequency EQ Controls 78
- Q values represent nar 79
- Q values represent 79
- Pro Tools Reference Guide64 80
- Chapter 11: Dynamics III 81
- Dynamics III LFE Enable 82
- Dynamics III Graph Display 83
- Compressor/Limiter III 84
- Chapter 11: Dynamics III 69 85
- (right) compression 86
- Expander/Gate III 87
- Look Ahead control 88
- De-Esser III 89
- De-Esser III Level Meters 90
- De-Esser III Gain Reduction 90
- Dynamics III Side-Chain Input 91
- Dynamics III Side-Chain 92
- Band Pass Filter 93
- Band-Pass Filter 93
- High Pass Filter 93
- Side-Chain Processing with 95
- Dynamics III 95
- Audio Plug-Ins Guide80 96
- Fairchild 660 97
- Fairchild 660 Controls 98
- Fairchild 660 Tips and Tricks 98
- Fairchild 670 99
- Audio Plug-Ins Guide84 100
- Chapter 13: Impact 101
- Impact Attack Control 102
- Impact Threshold Control 102
- Impact Release Control 102
- Impact Make-up Control 103
- Impact Listen On/Off Control 103
- Using the Impact 104
- Compressor 104
- Side-Chain Processing 105
- Using the Impact Side-Chain 105
- Audio Plug-Ins Guide90 106
- JOEMEEK Compressor 107
- Controls 107
- JOEMEEK Compressor Tips 108
- Chapter 15: Maxim 109
- Limiting a Mixdown 110
- Maxim Controls and Meters 111
- Link button 112
- Dither Button 113
- Noise Shaping Control 113
- Maxim Bit Resolution Button 113
- Using Maxim 114
- Maxim and Mastering 114
- Chapter 16: Purple Audio MC77 115
- Audio Plug-Ins Guide100 116
- Slightly Rude Compressor 117
- Tips and Tricks 118
- Chapter 18: Smack! 119
- Smack! Controls and Meters 120
- Smack! Attack Control 121
- Smack! Ratio Control 121
- Smack! Release Control 121
- Smack! Output Control 122
- Smack! Side-Chain EQ Filter 122
- Smack! Distortion Control 123
- Smack! HPF Toggle Switch 123
- Using the Smack! 124
- Compressor/Limiter 124
- Using the Smack! Side-Chain 125
- Audio Plug-Ins Guide110 126
- Chapter 19: TL Aggro 127
- TL Aggro 128
- TL Aggro Controls 129
- TL Aggro Bass Compensation 130
- TL Aggro Tube Drive Control 130
- Using the TL Aggro 131
- Side-Chain Input 131
- Audio Plug-Ins Guide116 132
- Part IV: Pitch Shift Plug-Ins 133
- Frequency Shifter Controls 135
- Audio Plug-Ins Guide120 136
- Chapter 21: Pitch 137
- Relative pitch entry 138
- Crossfade 139
- Minimum Pitch 139
- Maximum Pitch 139
- Audio Plug-Ins Guide124 140
- Chapter 22: Pitch Shift 141
- Pitch Shift Reference Pitch 142
- Using Reference Pitch 142
- Chapter 23: Time Shift 143
- Time Shift Audio Controls 144
- Time Shift Time Controls 145
- Time Shift Formant Controls 145
- Time Shift Transient Controls 146
- Time Shift Pitch Controls 147
- 2 Click the Processing tab 148
- 5 Click OK 148
- Chapter 23: Time Shift 133 149
- Audio Plug-Ins Guide134 150
- Chapter 24: Vari-Fi 151
- Audio Plug-Ins Guide136 152
- Chapter 25: X-Form 153
- X-Form Time Section Controls 154
- X-Form Transient Section 155
- X-Form Pitch Section Controls 156
- X-Form AudioSuite Input 157
- AudioSuite TCE Plug-In 157
- Preference 157
- Processing Audio Using 158
- Chapter 25: X-Form 143 159
- Audio Plug-Ins Guide144 160
- Part V: Reverb Plug-Ins 161
- Non-Linear Reverb Reverb 163
- Section Controls 163
- Non Linear Reverb EQ Section 164
- Chapter 27: AIR Reverb 165
- Reverb Early Reflections 166
- Reverb High Frequencies 167
- Reverb Plug-In Reverb Section 167
- Reverb Room Section Controls 167
- Reverb Low Frequencies 168
- Chapter 28: AIR Spring Reverb 169
- Diffusion 170
- Chapter 29: D-Verb 171
- D-Verb Input Level Control 172
- D-Verb Mix Control 172
- D-Verb Algorithm Control 172
- D-Verb Size Control 172
- D-Verb Diffusion Control 172
- D-Verb Decay Control 173
- D-Verb Pre-Delay Control 173
- D-Verb Hi Frequency Cut 173
- D-Verb Low Pass Filter 173
- Audio Plug-Ins Guide158 174
- Chapter 30: Reverb One 175
- A Reverb Overview 176
- Reverb One Controls 177
- Reverb One Reverb Section 178
- Reverb One Early Reflection 179
- Simulating Early Reflections 180
- ER Settings 180
- Reverb One Graphs 181
- Reverb EQ Graph 182
- Frequency Sliders 182
- Band Breakpoints 182
- HF Cut Breakpoint 182
- Reverb Color Graph 182
- High-Frequency 183
- Band Cut/Boost 183
- Low Crossover 183
- High Crossover 183
- Input Level Meters 184
- Chapter 31: ReVibe 185
- Reverberation Concepts 186
- Using ReVibe 187
- Adjusting ReVibe Parameters 188
- ReVibe Controls 189
- Stereo Width Control 190
- 100% Wet Mix Button 190
- Depth Control 190
- Rate Control 190
- –INF dB 190
- Chorus On/Off Button 191
- Level Control 191
- Spread Control 191
- Pre-Delay Control 191
- Pre-Delay Link Button 192
- ER On/Off Button 192
- Input Control 192
- ReVibe Room Type Section 193
- Room Type Number 194
- Room Type Category pop-up 194
- Room Type Name pop-up 194
- Preset Next and 194
- Previous buttons 194
- Type Menu 195
- Time Control 195
- Diffusion Control 195
- ReVibe Decay Color & EQ 196
- ReVibe Decay Color Section 197
- ReVibe Decay EQ Section 198
- Early reflections 199
- Front reverb 199
- Rear reverb 199
- ReVibe Input/Output Meter 200
- ReVibe Online Help Button 200
- ReVibe Room Types 201
- Audio Plug-Ins Guide186 202
- Chambers 203
- Ambience 203
- Film and Post 203
- Large Spaces 204
- Vintage Digital 204
- TL Space plug-in 205
- TL Space Feature Highlights 206
- TL Space Overview 207
- TL Space Convolution Reverb 208
- TL Space System Design 209
- Latency and TL Space 210
- TL Space DSP Usage 212
- Impulse Response (IR) and 213
- TL Space 213
- Using Third-Party IRs in 214
- TL Space Multichannel IR 214
- Stereo to Stereo IR 215
- Stereo to 5.0 IR 215
- Mono to Quad IR 215
- Stereo to quad IR 215
- TL Space Presets 216
- TL Space Snapshots 217
- The TL Space interface 218
- TL Space Display Area 219
- TL Space Picture Preview Mode 220
- TL Space Snapshot Mode 220
- TL Space Preferences Mode 221
- TL Space Meters 221
- TL Space IR Browser 222
- TL Space IR Browser Edit Menu 223
- TL Space Primary Controls 224
- TL Space Group Selectors 225
- TL Space Reverb Section 226
- TL Space Info Screen 227
- Using TL Space 228
- PCI Bus Contention and TL 229
- TL Space IR Library 230
- Part VI: Delay Plug-Ins 231
- Chapter 33: AIR Dynamic Delay 233
- Dynamic Delay Delay Section 234
- Dynamic Delay EQ Section 234
- Dynamic Delay Env Mod 235
- (Envelope Modulation) Section 235
- Dynamic Delay Feedback Modes 235
- Audio Plug-Ins Guide220 236
- Chapter 34: AIR Multi-Delay 237
- Audio Plug-Ins Guide222 238
- Chapter 35: Mod Delay II 239
- Mod Delay II Controls 240
- Mod Delay II Tempo Control 241
- Mod Delay II Meter Control 241
- Mod Delay II Groove Control 241
- Multichannel Mod Delay II 242
- Selecting Audio for 242
- ModDelay II AudioSuite 242
- Processing 242
- Chapter 36: Mod Delay III 243
- Pro Tools Reference Guide228 244
- Selections for Mod Delay III 245
- AudioSuite Processing 245
- Pro Tools Reference Guide230 246
- So Why Analog? 247
- Moogerfooger Analog Delay 248
- Chapter 38: Multi-Tap Delay 249
- Delay Processing 250
- Chapter 39: Ping-Pong Delay 251
- Chapter 40: Reel Tape Delay 253
- Reel Tape Common Controls 254
- Reel Tape Delay Controls 254
- Reel Tape Delay Presets 256
- How the Tel-Ray Works 257
- Tel-Ray Controls 258
- Tel-Ray Tips and Tricks 258
- Chapter 42: TimeAdjuster 259
- Using TimeAdjuster for 260
- Manual Delay Compensation 260
- When to Compensate for 261
- Audio Plug-Ins Guide246 262
- Part VII: Modulation Plug-Ins 263
- Chapter 43: AIR Chorus 265
- Audio Plug-Ins Guide250 266
- Chapter 44: AIR Ensemble 267
- Audio Plug-Ins Guide252 268
- Chapter 45: AIR Filter Gate 269
- Filter Gate Filter Section 270
- Chapter 46: AIR Flanger 271
- AIR Flanger LFO Section 272
- Chapter 47: AIR Fuzz-Wah 273
- Fuzz-Wah Pedal Min and Pedal 274
- Max Section Controls 274
- Fuzz-Wah Modulation Section 274
- Chapter 48: AIR Multi-Chorus 275
- Multi-Chorus Mod Section 276
- Chapter 49: AIR Phaser 277
- Phaser Section Controls 278
- Phaser LFO Section Controls 278
- Chapter 50: AIR Talkbox 279
- Talkbox LFO Section Controls 280
- Talkbox Envelope Section 280
- Vintage Filter Controls 281
- Vintage Filer LFO Section 282
- Chapter 52: Cosmonaut Voice 283
- Accessing Additional 284
- Cosmonaut Voice Controls 284
- On-Screen 284
- Accessing Cosmonaut Voice 284
- Chapter 53: Chorus 285
- Audio Plug-Ins Guide270 286
- Chapter 54: Flanger 287
- LFO Rate 288
- LFO Width 288
- Feedback 288
- LFO Waveform 288
- Moogerfooger Low Pass Filter 289
- Moogerfooger Lowpass Filter 290
- Audio Plug-Ins Guide276 292
- Moogerfooger 12-stage Phaser 293
- Different types of filters 293
- Moogerfooger 12-Stage Phaser 294
- Audio Plug-Ins Guide280 296
- Moogerfooger Ring Modulator 297
- Chapter 58: Reel Tape Flanger 299
- Reel Tape Flanger Controls 300
- Synchronizing Reel Tape 302
- Flanger to Session Tempo 302
- Reel Tape Flanger Tips 303
- Reel Tape Flanger Presets 303
- Audio Plug-Ins Guide288 304
- Chapter 59: Sci-Fi 305
- Sci-Fi Controls 306
- Sci-Fi Mod Type Controls 307
- Sci-Fi Mod Amount and Mod 307
- Rate Controls 307
- Sci-Fi Output Meter 307
- Audio Plug-Ins Guide292 308
- Chapter 60: TL EveryPhase 309
- TL EveryPhase Controls 310
- TL EveryPhase Phaser Section 311
- Modulation Section 312
- LFO Section 312
- Selecting the LFO Waveform 313
- LFO Triggers 313
- Tempo Controls 314
- Envelope Section 314
- Using TL EveryPhase 315
- Triggers 316
- Using the TL EveryPhase Side 316
- Chain Input 316
- Resulting phased bass line 317
- TL EveryPhase Tips and Tricks 318
- Chapter 61: Voce Plug-Ins 319
- Voce Spin 320
- How Voce Spin Controls 321
- Accessing Voce Spin Controls 322
- Voce Spin Tips and Tricks 322
- Chapter 61: Voce Plug-Ins 307 323
- Audio Plug-Ins Guide308 324
- Part VIII: Harmonic Plug-Ins 325
- Chapter 62: AIR Distortion 327
- Distortion Tone Section 328
- Distortion Mode Options 328
- Chapter 63: AIR Enhancer 329
- Audio Plug-Ins Guide314 330
- Chapter 64: AIR Lo Fi 331
- Audio Plug-Ins Guide316 332
- AIR Lo Fi Env Mod Section 333
- AIR Lo Fi Distortion Section 333
- Audio Plug-Ins Guide318 334
- Chapter 65: Lo-Fi 335
- Audio Plug-Ins Guide320 336
- Output Meter 337
- Audio Plug-Ins Guide322 338
- Chapter 66: Recti-Fi 339
- Recti-Fi Controls 340
- Recti-Fi Gain Control 341
- Recti-Fi Mix Control 341
- Recti-Fi Output Meter 341
- Audio Plug-Ins Guide326 342
- Reel Tape Saturation 344
- Reel Tape Saturation Tips 345
- Reel Tape Saturation Presets 345
- Audio Plug-Ins Guide330 346
- Chapter 68: SansAmp PSA-1 347
- PSA-1 Controls 348
- PSA-1 Tips and Tricks 348
- Part IX: Noise Reduction 349
- Plug-Ins 349
- Chapter 69: DINR 351
- BNR Spectral Graph 352
- Broadband Noise Reduction 353
- Response 354
- Smoothing 354
- High-Shelf EQ 354
- BNR Contour Line Controls 355
- Using Broadband Noise 357
- Reduction 357
- Audio Plug-Ins Guide342 358
- Editing the Contour Line 359
- Using BNR AudioSuite 360
- Preparing to Render a Clip 361
- Processing a Clip 361
- Audio Plug-Ins Guide346 362
- Part X: Dither Plug-Ins 363
- Chapter 70: Dither 365
- Noise Shaping Button 366
- Chapter 71: POW-r Dither 367
- Audio Plug-Ins Guide352 368
- Part XI: Sound Field Plug-Ins 369
- Chapter 72: AIR Stereo Width 371
- Audio Plug-Ins Guide356 372
- Chapter 73: Down Mixer 373
- Audio Plug-Ins Guide358 374
- Chapter 74: SignalTools 375
- SignalTools PhaseScope 376
- SignalTools Display Options 377
- SignalTools Level Meters 378
- SignalTools Meter Peak Hold 379
- SignalTools Meter Reference 379
- Audio Plug-Ins Guide364 380
- Chapter 75: TL AutoPan 381
- TL AutoPan Panner Controls 382
- Panning Source buttons 383
- TL AutoPan LFO Controls 384
- TL AutoPan Tempo Controls 385
- Using TL AutoPan 386
- Post Production Panning 387
- Using the Side-Chain Input 387
- Audio Plug-Ins Guide372 388
- Part XII: Instrument Plug-Ins 389
- Chapter 76: Boom 391
- Boom Controls 392
- Boom Global Controls 393
- Boom Transport Controls 393
- Boom Kit Selector 393
- Boom Speed Switches 394
- Boom Edit Mode Switch 394
- Boom Event Bar 394
- Inserting Boom on a Track 395
- Creating a Drum Pattern 396
- Using Boom 396
- Saving a Boom Pattern as a 396
- Playing with Patterns in 397
- Controlling Boom with MIDI 397
- Playing Boom Patterns Using 398
- Creating Boom Pattern 399
- Using the MIDI Learn 399
- Function on Avid Virtual 399
- Instruments 399
- Audio Plug-Ins Guide384 400
- Chapter 77: Bruno and Reso 401
- Bruno/Reso DSP 402
- Requirements 402
- Inserting Bruno/Reso onto an 402
- Audio Track 402
- Playing Bruno/Reso 402
- Using an External Key Input 403
- Bruno Controls 404
- Bruno Timbre Controls 405
- Bruno Amplitude Controls 406
- Bruno Pitch Controls 407
- Bruno Voice Controls 408
- Reso Controls 409
- Reso Resonance Controls 410
- Reso Damping Controls 410
- MIDI controller 410
- Reso Amplitude Controls 412
- Reso Pitch Controls 413
- Reso LPF/Voice Controls 414
- Poly (Polyphonic) 415
- Voice Stack 415
- Audio Plug-Ins Guide400 416
- Chapter 78: Click 417
- Click Options dialog 418
- Chapter 79: DB-33 419
- Tonewheels 420
- Scanner Vibrato 420
- Drawbars 420
- Key Click 421
- Percussion 421
- Master Level 421
- Rotation Speed Switch 421
- DB-33 Cabinet Page Controls 422
- DB-33 Info Display and 423
- Organ/Cabinet Switches 423
- Inserting DB-33 on a Track 424
- Set Min/Max 425
- Invert Range 425
- Audio Plug-Ins Guide410 426
- Chapter 80: Mini Grand 427
- Mini Grand Main Controls 428
- Mini Grand Info Display and 428
- Setup Button 428
- Inserting Mini Grand on a 429
- Set Min or Set 431
- Audio Plug-Ins Guide416 432
- Chapter 81: Structure Free 433
- Smart Knobs 434
- Key Switches 434
- Master (Output Volume) 434
- Info Display 434
- Editing a Patch Comment 434
- Structure Free Patch List 435
- 3 Click OK 436
- Structure Free Edit Sub-Page 437
- Audio Plug-Ins Guide422 438
- Browser page 439
- Browser controls 439
- Using Structure Free 440
- Using Structure Free Smart 441
- Using Structure Free Key 442
- Switches 442
- Audio Plug-Ins Guide428 444
- Chapter 82: TL Drum Rehab 445
- TL Drum Rehab Overview 446
- Minimum Threshold 447
- Detected triggers 447
- 9 Do one of the following: 448
- Hat Using TL Drum Rehab 449
- TL Drum Rehab Controls and 450
- Displays Overview 450
- TL Drum Rehab Main Window 450
- Detected amplitudes 451
- TL Drum Rehab Detector Mode 452
- TL Drum Rehab Voicing Menu 452
- TL Drum Rehab DRP Name 452
- TL Drum Rehab # of Zones 453
- TL Drum Rehab Velocity Map 453
- Loading a Sample into a Zone 454
- Adjusting the Crossfade 455
- Between Zones 455
- TL Drum Rehab Minimum and 455
- Maximum Threshold Controls 455
- TL Drum Rehab Expert Panel 456
- Display and Controls 456
- Tempo events 457
- TL Drum Rehab Uncommit 458
- TL Drum Rehab Ignore Button 458
- TL Drum Rehab Add Button 459
- TL Drum Rehab Undo 459
- TL Drum Rehab Quantize To 459
- TL Drum Rehab Quantize 459
- Samples Panel Display and 460
- TL Drum Rehab Samples Panel 461
- Display Waveshaping Controls 461
- TL Drum Rehab Preferences 462
- Panel Display and Controls 462
- TL Drum Rehab Library 462
- Auto-Audition 463
- TL Drum Rehab Help Balloons 463
- Loading Samples and Saving 464
- Custom DRP Files in 464
- TL Drum Rehab 464
- Chapter 82: TL Drum Rehab 449 465
- Audio Plug-Ins Guide450 466
- Chapter 83: TL Metro 467
- TL Metro Controls and 468
- Displays 468
- Synchronizing TL Metro to 469
- Customizing TL Metro 470
- To import a sound: 471
- Audio Plug-Ins Guide456 472
- Chapter 84: Vacuum 473
- Vacuum Controls 474
- Vacuum Mixer Controls 475
- Vacuum Filter Controls 475
- Vacuum Envelope Controls 476
- Vacuum Modulation Routing 477
- Vacuum Age Controls 477
- Vacuum VTA Controls 478
- Vacuum Arp Controls 478
- Vacuum Pitch and Mod Wheel 479
- Vacuum Setup Page 479
- Inserting Vacuum on a Track 480
- To set the Min/Max level: 481
- Audio Plug-Ins Guide466 482
- Chapter 85: Xpand! 483
- Part Controls 485
- FX Parameter Controls 486
- To FX2 (FX2 Send to FX1) 487
- Hi/Lo Key 487
- Arp Controls 488
- Mod Patch Edit 489
- Pressure Controls 490
- Inserting Xpand! 491
- Audio Plug-Ins Guide476 492
- Chapter 86: ReWire 493
- Audio Plug-Ins Guide478 494
- ReWire Requirements 495
- Using ReWire 495
- Audio Plug-Ins Guide480 496
- MIDI Automation with ReWire 497
- Quitting ReWire Client 498
- Applications 498
- Session Tempo and Meter 499
- Changes and ReWire 499
- Looping Playback with 499
- Automating Input Switching 500
- Part XIII: Other Plug-Ins 501
- BF Essential Clip Remover 503
- BF Essential Correlation 504
- BF Essential Meter Bridge 504
- BF Essential Noise Meter 504
- Chapter 88: Signal Generator 505
- AudioSuite Processing with 506
- Signal Generator 506
- Chapter 89: SoundReplacer 507
- SoundReplacer Controls 508
- SoundReplacerTrigger 509
- Threshold 509
- SoundReplacer Load/Unload 509
- Sound Buttons 509
- SoundReplacer Zoomer 510
- SoundReplacer Crossfade 510
- SoundReplacer Peak Align 510
- SoundReplacer Update 511
- SoundReplacer Auto Update 511
- SoundReplacer Mix 511
- SoundReplacer Dynamics 511
- SoundReplacer Online Help 511
- Using SoundReplacer 512
- Getting Optimum Results 513
- Mapping The Same Sample Into 514
- SoundReplacer 514
- Using the Audio Files Folder 515
- SoundReplacer Files 515
- Audio Plug-Ins Guide500 516
- Chapter 90: Time 517
- Compression/Expansion 517
- Min Pitch 518
- Accuracy 518
- Chapter 91: TL InTune 519
- TL InTune Controls and 520
- TL InTune Meter Selector 521
- TL InTune Note Buttons 521
- Down Octave button 522
- Up Octave button 522
- Creating TL InTune Tuning 523
- Using TL InTune 524
- Chapter 92: TL MasterMeter 525
- TL Master Meter Overview 526
- Application 527
- Manifestation 528
- Using TL MasterMeter 529
- TL MasterMeter Controls and 530
- TL MasterMeter Meters 531
- Audio Plug-Ins Guide516 532
- Chapter 93: TL Metro 533
- Importing Custom Samples to 537
- TL Metro 537
- Audio Plug-Ins Guide522 538
- Chapter 94: Trim 539
- Audio Plug-Ins Guide524 540
- Utilities 541
- Gain plug-in 542
- Invert plug-in 542
- Normalize 543
- Use In Playlist is enabled 544
- Part XIV: Eleven 545
- Eleven Plug-In Features 547
- Eleven Free Plug-In Features 547
- Audio Plug-Ins Guide532 548
- QuickStart 549
- Connect your Guitar and 550
- Configure Source Input 550
- Set Hardware and Levels 550
- Set Up a Pro Tools Track 551
- Set Up Eleven 552
- Getting Started Playing 553
- Music with Eleven 553
- Audio Plug-Ins Guide538 554
- Chapter 98: Using Eleven 555
- Using a Pro Tools 556
- Worksurface with Eleven 556
- Using MIDI and MIDI Learn 556
- Eleven Settings (Presets) 557
- Master Section 557
- Noise Gate Threshold 558
- Noise Gate Release 558
- Amp Types 559
- Eleven Amp Controls 560
- Presence 561
- Eleven Cabinet Types 562
- Eleven Cabinet Controls 563
- Mic Axis 564
- Recording Wet: Record Eleven 565
- Processed Track to Disk 565
- Recording Dry and Eleven 566
- Simultaneously 566
- Processing Pre-Recorded 567
- Tracks Through Eleven 567
- Blending Eleven Cabinets 568
- Amps bypassed/Cabs on 569
- Cab bypassed 569
- Blending Eleven Amps 570
- Phase Considerations with 571
- Blending in Eleven 571
- Eleven Tips and Suggestions 572
- Import Session 573
- Bussing and Submixing 573
- Dynamics 574
- Echo and Delay 574
- Eleven Signal Flow Notes 575
- Audio Plug-Ins Guide560 576
- Part XV: Synchronic 577
- Pro Tools playback 579
- Audio Plug-Ins Guide564 580
- Synchronic Modules 581
- Playing Synchronic RTAS 582
- Sound module, Edit mode 583
- Detection sliderslices 584
- Performance and Edit Modes 585
- Synchronic Performance 585
- Synchronic Presets 586
- To edit and store a preset: 587
- Audio Plug-Ins Guide572 588
- Chapter 101: Using Synchronic 589
- Synchronic Sound Module 590
- Overview 590
- Synchronic Sound 590
- Performance Mode 590
- Synchronic Sound Edit Mode 591
- Importing a Sound into 592
- Synchronic 592
- Selecting Multiple Files for 593
- Import into Synchronic 593
- Entering Sound Attributes in 594
- Deleting a Sound from a 595
- Synchronc Preset 595
- Slicing Up a Sound in 595
- Synchronic Slice Settings 595
- Generate Missing 596
- Audition Modes 596
- Current 596
- Trim (–.30 to .30 sec.) 596
- Synchronic Playback Module 597
- Synchronic Playback 597
- Synchronic Playback Edit 598
- Synchronic Playback Start 599
- Synchronic Playback Order 600
- Synchronic Playback Duration 601
- Synchronic Playback Direction 602
- Synchronic Playback Pitch 603
- Synchronic Playback Offset 604
- User Knobs (PB1 and PB2) 605
- Synchronic Effect Module 606
- Synchronic Effect 606
- Synchronic Effect Edit Mode 607
- Synchronic Noise Effect 608
- Synchronic Filter Effect 609
- Synchronic Delay Effect 610
- Assigning Synchronic Effect 611
- User Knobs (FX1 and FX2) 611
- Synchronic XFade Module 612
- Synchronic XFade Manual Mode 613
- Synchronic XFade Preset Mode 613
- Synchronic XFade Edit Mode 613
- Synchronic MIDI Module 614
- Synchronic MIDI 614
- Pre-Mapped Synchronic MIDI 615
- Assigning MIDI Keys in 615
- Synchronic MIDI Edit Mode 616
- Synchronic Keyboard Focus 617
- Synchronic: 618
- AudioSuite Plug-In 619
- Synchronic AudioSuite 621
- Workflow 621
- Slicing a Loop in Synchronic 622
- Audio Plug-Ins Guide608 624
- Using Automation Playlists 625
- Recording Automation 626
- Using MIDI 627
- Automating Synchronic Using 628
- Viewing MIDI Automation 628
- Imported Audio Stored with 629
- Settings 629
- Audio Plug-Ins Guide614 630
- Numerics 631
- Audio Plug-Ins Guide616 632
- Index 617 633
- Audio Plug-Ins Guide618 634
- Index 619 635
- Audio Plug-Ins Guide620 636
- Index 621 637
- Audio Plug-Ins Guide622 638
- Index 623 639
- Audio Plug-Ins Guide624 640
- Index 625 641
- Audio Plug-Ins Guide626 642
- Index 627 643
- Audio Plug-Ins Guide628 644
- Index 629 645
- Audio Plug-Ins Guide630 646
- Index 631 647
- Audio Plug-Ins Guide632 648
- Index 633 649
- Audio Plug-Ins Guide634 650
- Technical Support (USA) 652
- Product Information 652
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