Waves Plug-in for Vocals and Monophonic Especificaciones Pagina 229
- Pagina / 652
- Tabla de contenidos
- MARCADORES
Valorado. / 5. Basado en revisión del cliente
Chapter 32: TL Space TDM and TL Space Native 213
PCI Bus Contention and TL
Space
Large Pro Tools TDM systems running TL Space
TDM in conjunction with video capture and
playback or other PCI cards may encounter
–6042 errors. These errors are caused when the
Pro Tools DAE engine cannot transfer audio
track data from the computer to the Pro Tools
card over the PCI bus quickly enough. The error
typically occurs when TL Space attempts to use
the PCI bus to load impulses. PCI bus conten-
tion can be addressed with the following steps.
First, you may wish to locate more demanding
PCI cards on the main PCI bus rather than in an
expansion chassis. By locating the PCI cards
away from Pro Tools DSP cards, PCI contention
is typically reduced.
Secondly, assign more DSPs to the Pro Tools
Playback Engine. Open the Playback Engine dia-
log and increase the number of DSPs per the
Number of Voices.
If this does not resolve bus contention issues,
the PCI Throttle control can be adjusted up-
wards one step at a time until the –6042 errors
stop. For example, the default setting for a Mac-
intosh G5 system is 33% and it can be increased
in two steps to 100% until the bus contention is
resolved. As more PCI throttling is used,
TL Space will take longer to update the data on
the DSP chip(s) running TL Space.
The PCI Throttle control can be adjusted in
Preferences mode. Settings take effect immedi-
ately across all instances of TL Space. This con-
trol offers the settings shown in the following
table.
Increasing the PCI throttle control will reduce
TL Space performance as PCI activity is reduced.
Setting Effect
Off No PCI throttle control—
maximum PCI contention
33% Default setting for Macintosh G5
systems
66% Default setting for Windows XP
systems
100% Maximum PCI throttle—minimum
PCI contention
For most users, the PCI throttle control pro-
vides optimum performance at the default
setting and should not be adjusted.
- Audio Plug-Ins Guide 1
- Legal Notices 2
- Contents 3
- Audio Plug-Ins Guideiv 4
- Contents v 5
- Audio Plug-Ins Guidevi 6
- Contents vii 7
- Audio Plug-Ins Guideviii 8
- Contents ix 9
- Audio Plug-Ins Guidex 10
- Contents xi 11
- Audio Plug-Ins Guidexii 12
- Contents xiii 13
- Audio Plug-Ins Guidexiv 14
- Part XIV Eleven 15
- Audio Plug-Ins Guidexvi 16
- Part I: Introduction to 17
- Pro Tools Plug-Ins 17
- Avid Audio Plug-Ins 19
- Audio Plug-Ins Guide4 20
- Plug-In Formats 21
- Using Plug-Ins in Pro Tools 22
- Conventions Used in 23
- Pro Tools Documentation 23
- System Requirements and 23
- Compatibility for Plug-Ins 23
- Contents of the Boxed 24
- Version of Your Plug-In 24
- About www.avid.com 24
- Free Pro Tools Plug-Ins 25
- Free VENUE Plug-Ins 25
- Updating Older Plug-Ins 25
- Avid Media Composer 25
- Installing Plug-Ins for 26
- Pro Tools 26
- Authorizing Paid Plug-Ins 26
- Plug-Ins for Pro Tools 27
- Removing Plug-Ins for 28
- Removing Plug-Ins for VENUE 28
- Part II: EQ Plug-Ins 29
- Chapter 3: AIR Kill EQ 31
- Audio Plug-Ins Guide16 32
- Chapter 4: EQ III 33
- Adjusting EQ III Controls 34
- Frequency 35
- EQ III I/O Controls 36
- EQ III EQ Band Controls 37
- Band Enable button 38
- Band Gain control 38
- Frequency control 38
- Q control 38
- Chapter 4: EQ III 23 39
- 7 Band EQ III 40
- 7 Band EQ III High Pass/Low 41
- 7 Band EQ III Low Pass/High 41
- 7 Band EQ III Low Shelf/Low 42
- 7 Band EQ III Low Mid Peak 43
- 7 Band EQ III Mid Peak 43
- 7 Band EQ III High Mid Peak 44
- 2–4 Band EQ III 45
- 1 Band EQ III 46
- 1 Band EQ III Types 47
- Low Shelf EQ 48
- Low Pass Filter 48
- JOEMEEK Meequalizer 49
- Audio Plug-Ins Guide34 50
- Chapter 6: Pultec Plug-Ins 51
- Pultec EQH-2 52
- Pultec MEQ-5 53
- Audio Plug-Ins Guide38 54
- Part III: Dynamics Plug-Ins 55
- Chapter 7: BF-2A 57
- BF-2A Controls 58
- BF-2A Tips and Tricks 59
- Audio Plug-Ins Guide44 60
- Chapter 8: BF-3A 61
- BF-3A Tips and Tricks 62
- Chapter 9: BF76 63
- BF76 Tips and Tricks 64
- Chapter 10: Channel Strip 65
- Strip Effects 66
- Listen Mode 67
- Adjusting Controls with Fine 67
- Resolution 67
- Input Trim Control 67
- Phase Invert 68
- Input Meters 68
- Gain Reduction Meters 68
- FX Chain 69
- Expander/Gate Controls 71
- Compressor/Limiter Controls 72
- Chapter 10: Channel Strip 57 73
- Pro Tools Reference Guide58 74
- EQ/Filters 75
- Low Frequency EQ Controls 76
- Low Mid Frequency EQ Controls 77
- High Frequency EQ Controls 78
- Q values represent nar 79
- Q values represent 79
- Pro Tools Reference Guide64 80
- Chapter 11: Dynamics III 81
- Dynamics III LFE Enable 82
- Dynamics III Graph Display 83
- Compressor/Limiter III 84
- Chapter 11: Dynamics III 69 85
- (right) compression 86
- Expander/Gate III 87
- Look Ahead control 88
- De-Esser III 89
- De-Esser III Level Meters 90
- De-Esser III Gain Reduction 90
- Dynamics III Side-Chain Input 91
- Dynamics III Side-Chain 92
- Band Pass Filter 93
- Band-Pass Filter 93
- High Pass Filter 93
- Side-Chain Processing with 95
- Dynamics III 95
- Audio Plug-Ins Guide80 96
- Fairchild 660 97
- Fairchild 660 Controls 98
- Fairchild 660 Tips and Tricks 98
- Fairchild 670 99
- Audio Plug-Ins Guide84 100
- Chapter 13: Impact 101
- Impact Attack Control 102
- Impact Threshold Control 102
- Impact Release Control 102
- Impact Make-up Control 103
- Impact Listen On/Off Control 103
- Using the Impact 104
- Compressor 104
- Side-Chain Processing 105
- Using the Impact Side-Chain 105
- Audio Plug-Ins Guide90 106
- JOEMEEK Compressor 107
- Controls 107
- JOEMEEK Compressor Tips 108
- Chapter 15: Maxim 109
- Limiting a Mixdown 110
- Maxim Controls and Meters 111
- Link button 112
- Dither Button 113
- Noise Shaping Control 113
- Maxim Bit Resolution Button 113
- Using Maxim 114
- Maxim and Mastering 114
- Chapter 16: Purple Audio MC77 115
- Audio Plug-Ins Guide100 116
- Slightly Rude Compressor 117
- Tips and Tricks 118
- Chapter 18: Smack! 119
- Smack! Controls and Meters 120
- Smack! Attack Control 121
- Smack! Ratio Control 121
- Smack! Release Control 121
- Smack! Output Control 122
- Smack! Side-Chain EQ Filter 122
- Smack! Distortion Control 123
- Smack! HPF Toggle Switch 123
- Using the Smack! 124
- Compressor/Limiter 124
- Using the Smack! Side-Chain 125
- Audio Plug-Ins Guide110 126
- Chapter 19: TL Aggro 127
- TL Aggro 128
- TL Aggro Controls 129
- TL Aggro Bass Compensation 130
- TL Aggro Tube Drive Control 130
- Using the TL Aggro 131
- Side-Chain Input 131
- Audio Plug-Ins Guide116 132
- Part IV: Pitch Shift Plug-Ins 133
- Frequency Shifter Controls 135
- Audio Plug-Ins Guide120 136
- Chapter 21: Pitch 137
- Relative pitch entry 138
- Crossfade 139
- Minimum Pitch 139
- Maximum Pitch 139
- Audio Plug-Ins Guide124 140
- Chapter 22: Pitch Shift 141
- Pitch Shift Reference Pitch 142
- Using Reference Pitch 142
- Chapter 23: Time Shift 143
- Time Shift Audio Controls 144
- Time Shift Time Controls 145
- Time Shift Formant Controls 145
- Time Shift Transient Controls 146
- Time Shift Pitch Controls 147
- 2 Click the Processing tab 148
- 5 Click OK 148
- Chapter 23: Time Shift 133 149
- Audio Plug-Ins Guide134 150
- Chapter 24: Vari-Fi 151
- Audio Plug-Ins Guide136 152
- Chapter 25: X-Form 153
- X-Form Time Section Controls 154
- X-Form Transient Section 155
- X-Form Pitch Section Controls 156
- X-Form AudioSuite Input 157
- AudioSuite TCE Plug-In 157
- Preference 157
- Processing Audio Using 158
- Chapter 25: X-Form 143 159
- Audio Plug-Ins Guide144 160
- Part V: Reverb Plug-Ins 161
- Non-Linear Reverb Reverb 163
- Section Controls 163
- Non Linear Reverb EQ Section 164
- Chapter 27: AIR Reverb 165
- Reverb Early Reflections 166
- Reverb High Frequencies 167
- Reverb Plug-In Reverb Section 167
- Reverb Room Section Controls 167
- Reverb Low Frequencies 168
- Chapter 28: AIR Spring Reverb 169
- Diffusion 170
- Chapter 29: D-Verb 171
- D-Verb Input Level Control 172
- D-Verb Mix Control 172
- D-Verb Algorithm Control 172
- D-Verb Size Control 172
- D-Verb Diffusion Control 172
- D-Verb Decay Control 173
- D-Verb Pre-Delay Control 173
- D-Verb Hi Frequency Cut 173
- D-Verb Low Pass Filter 173
- Audio Plug-Ins Guide158 174
- Chapter 30: Reverb One 175
- A Reverb Overview 176
- Reverb One Controls 177
- Reverb One Reverb Section 178
- Reverb One Early Reflection 179
- Simulating Early Reflections 180
- ER Settings 180
- Reverb One Graphs 181
- Reverb EQ Graph 182
- Frequency Sliders 182
- Band Breakpoints 182
- HF Cut Breakpoint 182
- Reverb Color Graph 182
- High-Frequency 183
- Band Cut/Boost 183
- Low Crossover 183
- High Crossover 183
- Input Level Meters 184
- Chapter 31: ReVibe 185
- Reverberation Concepts 186
- Using ReVibe 187
- Adjusting ReVibe Parameters 188
- ReVibe Controls 189
- Stereo Width Control 190
- 100% Wet Mix Button 190
- Depth Control 190
- Rate Control 190
- –INF dB 190
- Chorus On/Off Button 191
- Level Control 191
- Spread Control 191
- Pre-Delay Control 191
- Pre-Delay Link Button 192
- ER On/Off Button 192
- Input Control 192
- ReVibe Room Type Section 193
- Room Type Number 194
- Room Type Category pop-up 194
- Room Type Name pop-up 194
- Preset Next and 194
- Previous buttons 194
- Type Menu 195
- Time Control 195
- Diffusion Control 195
- ReVibe Decay Color & EQ 196
- ReVibe Decay Color Section 197
- ReVibe Decay EQ Section 198
- Early reflections 199
- Front reverb 199
- Rear reverb 199
- ReVibe Input/Output Meter 200
- ReVibe Online Help Button 200
- ReVibe Room Types 201
- Audio Plug-Ins Guide186 202
- Chambers 203
- Ambience 203
- Film and Post 203
- Large Spaces 204
- Vintage Digital 204
- TL Space plug-in 205
- TL Space Feature Highlights 206
- TL Space Overview 207
- TL Space Convolution Reverb 208
- TL Space System Design 209
- Latency and TL Space 210
- TL Space DSP Usage 212
- Impulse Response (IR) and 213
- TL Space 213
- Using Third-Party IRs in 214
- TL Space Multichannel IR 214
- Stereo to Stereo IR 215
- Stereo to 5.0 IR 215
- Mono to Quad IR 215
- Stereo to quad IR 215
- TL Space Presets 216
- TL Space Snapshots 217
- The TL Space interface 218
- TL Space Display Area 219
- TL Space Picture Preview Mode 220
- TL Space Snapshot Mode 220
- TL Space Preferences Mode 221
- TL Space Meters 221
- TL Space IR Browser 222
- TL Space IR Browser Edit Menu 223
- TL Space Primary Controls 224
- TL Space Group Selectors 225
- TL Space Reverb Section 226
- TL Space Info Screen 227
- Using TL Space 228
- PCI Bus Contention and TL 229
- TL Space IR Library 230
- Part VI: Delay Plug-Ins 231
- Chapter 33: AIR Dynamic Delay 233
- Dynamic Delay Delay Section 234
- Dynamic Delay EQ Section 234
- Dynamic Delay Env Mod 235
- (Envelope Modulation) Section 235
- Dynamic Delay Feedback Modes 235
- Audio Plug-Ins Guide220 236
- Chapter 34: AIR Multi-Delay 237
- Audio Plug-Ins Guide222 238
- Chapter 35: Mod Delay II 239
- Mod Delay II Controls 240
- Mod Delay II Tempo Control 241
- Mod Delay II Meter Control 241
- Mod Delay II Groove Control 241
- Multichannel Mod Delay II 242
- Selecting Audio for 242
- ModDelay II AudioSuite 242
- Processing 242
- Chapter 36: Mod Delay III 243
- Pro Tools Reference Guide228 244
- Selections for Mod Delay III 245
- AudioSuite Processing 245
- Pro Tools Reference Guide230 246
- So Why Analog? 247
- Moogerfooger Analog Delay 248
- Chapter 38: Multi-Tap Delay 249
- Delay Processing 250
- Chapter 39: Ping-Pong Delay 251
- Chapter 40: Reel Tape Delay 253
- Reel Tape Common Controls 254
- Reel Tape Delay Controls 254
- Reel Tape Delay Presets 256
- How the Tel-Ray Works 257
- Tel-Ray Controls 258
- Tel-Ray Tips and Tricks 258
- Chapter 42: TimeAdjuster 259
- Using TimeAdjuster for 260
- Manual Delay Compensation 260
- When to Compensate for 261
- Audio Plug-Ins Guide246 262
- Part VII: Modulation Plug-Ins 263
- Chapter 43: AIR Chorus 265
- Audio Plug-Ins Guide250 266
- Chapter 44: AIR Ensemble 267
- Audio Plug-Ins Guide252 268
- Chapter 45: AIR Filter Gate 269
- Filter Gate Filter Section 270
- Chapter 46: AIR Flanger 271
- AIR Flanger LFO Section 272
- Chapter 47: AIR Fuzz-Wah 273
- Fuzz-Wah Pedal Min and Pedal 274
- Max Section Controls 274
- Fuzz-Wah Modulation Section 274
- Chapter 48: AIR Multi-Chorus 275
- Multi-Chorus Mod Section 276
- Chapter 49: AIR Phaser 277
- Phaser Section Controls 278
- Phaser LFO Section Controls 278
- Chapter 50: AIR Talkbox 279
- Talkbox LFO Section Controls 280
- Talkbox Envelope Section 280
- Vintage Filter Controls 281
- Vintage Filer LFO Section 282
- Chapter 52: Cosmonaut Voice 283
- Accessing Additional 284
- Cosmonaut Voice Controls 284
- On-Screen 284
- Accessing Cosmonaut Voice 284
- Chapter 53: Chorus 285
- Audio Plug-Ins Guide270 286
- Chapter 54: Flanger 287
- LFO Rate 288
- LFO Width 288
- Feedback 288
- LFO Waveform 288
- Moogerfooger Low Pass Filter 289
- Moogerfooger Lowpass Filter 290
- Audio Plug-Ins Guide276 292
- Moogerfooger 12-stage Phaser 293
- Different types of filters 293
- Moogerfooger 12-Stage Phaser 294
- Audio Plug-Ins Guide280 296
- Moogerfooger Ring Modulator 297
- Chapter 58: Reel Tape Flanger 299
- Reel Tape Flanger Controls 300
- Synchronizing Reel Tape 302
- Flanger to Session Tempo 302
- Reel Tape Flanger Tips 303
- Reel Tape Flanger Presets 303
- Audio Plug-Ins Guide288 304
- Chapter 59: Sci-Fi 305
- Sci-Fi Controls 306
- Sci-Fi Mod Type Controls 307
- Sci-Fi Mod Amount and Mod 307
- Rate Controls 307
- Sci-Fi Output Meter 307
- Audio Plug-Ins Guide292 308
- Chapter 60: TL EveryPhase 309
- TL EveryPhase Controls 310
- TL EveryPhase Phaser Section 311
- Modulation Section 312
- LFO Section 312
- Selecting the LFO Waveform 313
- LFO Triggers 313
- Tempo Controls 314
- Envelope Section 314
- Using TL EveryPhase 315
- Triggers 316
- Using the TL EveryPhase Side 316
- Chain Input 316
- Resulting phased bass line 317
- TL EveryPhase Tips and Tricks 318
- Chapter 61: Voce Plug-Ins 319
- Voce Spin 320
- How Voce Spin Controls 321
- Accessing Voce Spin Controls 322
- Voce Spin Tips and Tricks 322
- Chapter 61: Voce Plug-Ins 307 323
- Audio Plug-Ins Guide308 324
- Part VIII: Harmonic Plug-Ins 325
- Chapter 62: AIR Distortion 327
- Distortion Tone Section 328
- Distortion Mode Options 328
- Chapter 63: AIR Enhancer 329
- Audio Plug-Ins Guide314 330
- Chapter 64: AIR Lo Fi 331
- Audio Plug-Ins Guide316 332
- AIR Lo Fi Env Mod Section 333
- AIR Lo Fi Distortion Section 333
- Audio Plug-Ins Guide318 334
- Chapter 65: Lo-Fi 335
- Audio Plug-Ins Guide320 336
- Output Meter 337
- Audio Plug-Ins Guide322 338
- Chapter 66: Recti-Fi 339
- Recti-Fi Controls 340
- Recti-Fi Gain Control 341
- Recti-Fi Mix Control 341
- Recti-Fi Output Meter 341
- Audio Plug-Ins Guide326 342
- Reel Tape Saturation 344
- Reel Tape Saturation Tips 345
- Reel Tape Saturation Presets 345
- Audio Plug-Ins Guide330 346
- Chapter 68: SansAmp PSA-1 347
- PSA-1 Controls 348
- PSA-1 Tips and Tricks 348
- Part IX: Noise Reduction 349
- Plug-Ins 349
- Chapter 69: DINR 351
- BNR Spectral Graph 352
- Broadband Noise Reduction 353
- Response 354
- Smoothing 354
- High-Shelf EQ 354
- BNR Contour Line Controls 355
- Using Broadband Noise 357
- Reduction 357
- Audio Plug-Ins Guide342 358
- Editing the Contour Line 359
- Using BNR AudioSuite 360
- Preparing to Render a Clip 361
- Processing a Clip 361
- Audio Plug-Ins Guide346 362
- Part X: Dither Plug-Ins 363
- Chapter 70: Dither 365
- Noise Shaping Button 366
- Chapter 71: POW-r Dither 367
- Audio Plug-Ins Guide352 368
- Part XI: Sound Field Plug-Ins 369
- Chapter 72: AIR Stereo Width 371
- Audio Plug-Ins Guide356 372
- Chapter 73: Down Mixer 373
- Audio Plug-Ins Guide358 374
- Chapter 74: SignalTools 375
- SignalTools PhaseScope 376
- SignalTools Display Options 377
- SignalTools Level Meters 378
- SignalTools Meter Peak Hold 379
- SignalTools Meter Reference 379
- Audio Plug-Ins Guide364 380
- Chapter 75: TL AutoPan 381
- TL AutoPan Panner Controls 382
- Panning Source buttons 383
- TL AutoPan LFO Controls 384
- TL AutoPan Tempo Controls 385
- Using TL AutoPan 386
- Post Production Panning 387
- Using the Side-Chain Input 387
- Audio Plug-Ins Guide372 388
- Part XII: Instrument Plug-Ins 389
- Chapter 76: Boom 391
- Boom Controls 392
- Boom Global Controls 393
- Boom Transport Controls 393
- Boom Kit Selector 393
- Boom Speed Switches 394
- Boom Edit Mode Switch 394
- Boom Event Bar 394
- Inserting Boom on a Track 395
- Creating a Drum Pattern 396
- Using Boom 396
- Saving a Boom Pattern as a 396
- Playing with Patterns in 397
- Controlling Boom with MIDI 397
- Playing Boom Patterns Using 398
- Creating Boom Pattern 399
- Using the MIDI Learn 399
- Function on Avid Virtual 399
- Instruments 399
- Audio Plug-Ins Guide384 400
- Chapter 77: Bruno and Reso 401
- Bruno/Reso DSP 402
- Requirements 402
- Inserting Bruno/Reso onto an 402
- Audio Track 402
- Playing Bruno/Reso 402
- Using an External Key Input 403
- Bruno Controls 404
- Bruno Timbre Controls 405
- Bruno Amplitude Controls 406
- Bruno Pitch Controls 407
- Bruno Voice Controls 408
- Reso Controls 409
- Reso Resonance Controls 410
- Reso Damping Controls 410
- MIDI controller 410
- Reso Amplitude Controls 412
- Reso Pitch Controls 413
- Reso LPF/Voice Controls 414
- Poly (Polyphonic) 415
- Voice Stack 415
- Audio Plug-Ins Guide400 416
- Chapter 78: Click 417
- Click Options dialog 418
- Chapter 79: DB-33 419
- Tonewheels 420
- Scanner Vibrato 420
- Drawbars 420
- Key Click 421
- Percussion 421
- Master Level 421
- Rotation Speed Switch 421
- DB-33 Cabinet Page Controls 422
- DB-33 Info Display and 423
- Organ/Cabinet Switches 423
- Inserting DB-33 on a Track 424
- Set Min/Max 425
- Invert Range 425
- Audio Plug-Ins Guide410 426
- Chapter 80: Mini Grand 427
- Mini Grand Main Controls 428
- Mini Grand Info Display and 428
- Setup Button 428
- Inserting Mini Grand on a 429
- Set Min or Set 431
- Audio Plug-Ins Guide416 432
- Chapter 81: Structure Free 433
- Smart Knobs 434
- Key Switches 434
- Master (Output Volume) 434
- Info Display 434
- Editing a Patch Comment 434
- Structure Free Patch List 435
- 3 Click OK 436
- Structure Free Edit Sub-Page 437
- Audio Plug-Ins Guide422 438
- Browser page 439
- Browser controls 439
- Using Structure Free 440
- Using Structure Free Smart 441
- Using Structure Free Key 442
- Switches 442
- Audio Plug-Ins Guide428 444
- Chapter 82: TL Drum Rehab 445
- TL Drum Rehab Overview 446
- Minimum Threshold 447
- Detected triggers 447
- 9 Do one of the following: 448
- Hat Using TL Drum Rehab 449
- TL Drum Rehab Controls and 450
- Displays Overview 450
- TL Drum Rehab Main Window 450
- Detected amplitudes 451
- TL Drum Rehab Detector Mode 452
- TL Drum Rehab Voicing Menu 452
- TL Drum Rehab DRP Name 452
- TL Drum Rehab # of Zones 453
- TL Drum Rehab Velocity Map 453
- Loading a Sample into a Zone 454
- Adjusting the Crossfade 455
- Between Zones 455
- TL Drum Rehab Minimum and 455
- Maximum Threshold Controls 455
- TL Drum Rehab Expert Panel 456
- Display and Controls 456
- Tempo events 457
- TL Drum Rehab Uncommit 458
- TL Drum Rehab Ignore Button 458
- TL Drum Rehab Add Button 459
- TL Drum Rehab Undo 459
- TL Drum Rehab Quantize To 459
- TL Drum Rehab Quantize 459
- Samples Panel Display and 460
- TL Drum Rehab Samples Panel 461
- Display Waveshaping Controls 461
- TL Drum Rehab Preferences 462
- Panel Display and Controls 462
- TL Drum Rehab Library 462
- Auto-Audition 463
- TL Drum Rehab Help Balloons 463
- Loading Samples and Saving 464
- Custom DRP Files in 464
- TL Drum Rehab 464
- Chapter 82: TL Drum Rehab 449 465
- Audio Plug-Ins Guide450 466
- Chapter 83: TL Metro 467
- TL Metro Controls and 468
- Displays 468
- Synchronizing TL Metro to 469
- Customizing TL Metro 470
- To import a sound: 471
- Audio Plug-Ins Guide456 472
- Chapter 84: Vacuum 473
- Vacuum Controls 474
- Vacuum Mixer Controls 475
- Vacuum Filter Controls 475
- Vacuum Envelope Controls 476
- Vacuum Modulation Routing 477
- Vacuum Age Controls 477
- Vacuum VTA Controls 478
- Vacuum Arp Controls 478
- Vacuum Pitch and Mod Wheel 479
- Vacuum Setup Page 479
- Inserting Vacuum on a Track 480
- To set the Min/Max level: 481
- Audio Plug-Ins Guide466 482
- Chapter 85: Xpand! 483
- Part Controls 485
- FX Parameter Controls 486
- To FX2 (FX2 Send to FX1) 487
- Hi/Lo Key 487
- Arp Controls 488
- Mod Patch Edit 489
- Pressure Controls 490
- Inserting Xpand! 491
- Audio Plug-Ins Guide476 492
- Chapter 86: ReWire 493
- Audio Plug-Ins Guide478 494
- ReWire Requirements 495
- Using ReWire 495
- Audio Plug-Ins Guide480 496
- MIDI Automation with ReWire 497
- Quitting ReWire Client 498
- Applications 498
- Session Tempo and Meter 499
- Changes and ReWire 499
- Looping Playback with 499
- Automating Input Switching 500
- Part XIII: Other Plug-Ins 501
- BF Essential Clip Remover 503
- BF Essential Correlation 504
- BF Essential Meter Bridge 504
- BF Essential Noise Meter 504
- Chapter 88: Signal Generator 505
- AudioSuite Processing with 506
- Signal Generator 506
- Chapter 89: SoundReplacer 507
- SoundReplacer Controls 508
- SoundReplacerTrigger 509
- Threshold 509
- SoundReplacer Load/Unload 509
- Sound Buttons 509
- SoundReplacer Zoomer 510
- SoundReplacer Crossfade 510
- SoundReplacer Peak Align 510
- SoundReplacer Update 511
- SoundReplacer Auto Update 511
- SoundReplacer Mix 511
- SoundReplacer Dynamics 511
- SoundReplacer Online Help 511
- Using SoundReplacer 512
- Getting Optimum Results 513
- Mapping The Same Sample Into 514
- SoundReplacer 514
- Using the Audio Files Folder 515
- SoundReplacer Files 515
- Audio Plug-Ins Guide500 516
- Chapter 90: Time 517
- Compression/Expansion 517
- Min Pitch 518
- Accuracy 518
- Chapter 91: TL InTune 519
- TL InTune Controls and 520
- TL InTune Meter Selector 521
- TL InTune Note Buttons 521
- Down Octave button 522
- Up Octave button 522
- Creating TL InTune Tuning 523
- Using TL InTune 524
- Chapter 92: TL MasterMeter 525
- TL Master Meter Overview 526
- Application 527
- Manifestation 528
- Using TL MasterMeter 529
- TL MasterMeter Controls and 530
- TL MasterMeter Meters 531
- Audio Plug-Ins Guide516 532
- Chapter 93: TL Metro 533
- Importing Custom Samples to 537
- TL Metro 537
- Audio Plug-Ins Guide522 538
- Chapter 94: Trim 539
- Audio Plug-Ins Guide524 540
- Utilities 541
- Gain plug-in 542
- Invert plug-in 542
- Normalize 543
- Use In Playlist is enabled 544
- Part XIV: Eleven 545
- Eleven Plug-In Features 547
- Eleven Free Plug-In Features 547
- Audio Plug-Ins Guide532 548
- QuickStart 549
- Connect your Guitar and 550
- Configure Source Input 550
- Set Hardware and Levels 550
- Set Up a Pro Tools Track 551
- Set Up Eleven 552
- Getting Started Playing 553
- Music with Eleven 553
- Audio Plug-Ins Guide538 554
- Chapter 98: Using Eleven 555
- Using a Pro Tools 556
- Worksurface with Eleven 556
- Using MIDI and MIDI Learn 556
- Eleven Settings (Presets) 557
- Master Section 557
- Noise Gate Threshold 558
- Noise Gate Release 558
- Amp Types 559
- Eleven Amp Controls 560
- Presence 561
- Eleven Cabinet Types 562
- Eleven Cabinet Controls 563
- Mic Axis 564
- Recording Wet: Record Eleven 565
- Processed Track to Disk 565
- Recording Dry and Eleven 566
- Simultaneously 566
- Processing Pre-Recorded 567
- Tracks Through Eleven 567
- Blending Eleven Cabinets 568
- Amps bypassed/Cabs on 569
- Cab bypassed 569
- Blending Eleven Amps 570
- Phase Considerations with 571
- Blending in Eleven 571
- Eleven Tips and Suggestions 572
- Import Session 573
- Bussing and Submixing 573
- Dynamics 574
- Echo and Delay 574
- Eleven Signal Flow Notes 575
- Audio Plug-Ins Guide560 576
- Part XV: Synchronic 577
- Pro Tools playback 579
- Audio Plug-Ins Guide564 580
- Synchronic Modules 581
- Playing Synchronic RTAS 582
- Sound module, Edit mode 583
- Detection sliderslices 584
- Performance and Edit Modes 585
- Synchronic Performance 585
- Synchronic Presets 586
- To edit and store a preset: 587
- Audio Plug-Ins Guide572 588
- Chapter 101: Using Synchronic 589
- Synchronic Sound Module 590
- Overview 590
- Synchronic Sound 590
- Performance Mode 590
- Synchronic Sound Edit Mode 591
- Importing a Sound into 592
- Synchronic 592
- Selecting Multiple Files for 593
- Import into Synchronic 593
- Entering Sound Attributes in 594
- Deleting a Sound from a 595
- Synchronc Preset 595
- Slicing Up a Sound in 595
- Synchronic Slice Settings 595
- Generate Missing 596
- Audition Modes 596
- Current 596
- Trim (–.30 to .30 sec.) 596
- Synchronic Playback Module 597
- Synchronic Playback 597
- Synchronic Playback Edit 598
- Synchronic Playback Start 599
- Synchronic Playback Order 600
- Synchronic Playback Duration 601
- Synchronic Playback Direction 602
- Synchronic Playback Pitch 603
- Synchronic Playback Offset 604
- User Knobs (PB1 and PB2) 605
- Synchronic Effect Module 606
- Synchronic Effect 606
- Synchronic Effect Edit Mode 607
- Synchronic Noise Effect 608
- Synchronic Filter Effect 609
- Synchronic Delay Effect 610
- Assigning Synchronic Effect 611
- User Knobs (FX1 and FX2) 611
- Synchronic XFade Module 612
- Synchronic XFade Manual Mode 613
- Synchronic XFade Preset Mode 613
- Synchronic XFade Edit Mode 613
- Synchronic MIDI Module 614
- Synchronic MIDI 614
- Pre-Mapped Synchronic MIDI 615
- Assigning MIDI Keys in 615
- Synchronic MIDI Edit Mode 616
- Synchronic Keyboard Focus 617
- Synchronic: 618
- AudioSuite Plug-In 619
- Synchronic AudioSuite 621
- Workflow 621
- Slicing a Loop in Synchronic 622
- Audio Plug-Ins Guide608 624
- Using Automation Playlists 625
- Recording Automation 626
- Using MIDI 627
- Automating Synchronic Using 628
- Viewing MIDI Automation 628
- Imported Audio Stored with 629
- Settings 629
- Audio Plug-Ins Guide614 630
- Numerics 631
- Audio Plug-Ins Guide616 632
- Index 617 633
- Audio Plug-Ins Guide618 634
- Index 619 635
- Audio Plug-Ins Guide620 636
- Index 621 637
- Audio Plug-Ins Guide622 638
- Index 623 639
- Audio Plug-Ins Guide624 640
- Index 625 641
- Audio Plug-Ins Guide626 642
- Index 627 643
- Audio Plug-Ins Guide628 644
- Index 629 645
- Audio Plug-Ins Guide630 646
- Index 631 647
- Audio Plug-Ins Guide632 648
- Index 633 649
- Audio Plug-Ins Guide634 650
- Technical Support (USA) 652
- Product Information 652
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